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➤ NEWSLETTER / ESSAYS
https://minale.substack.com/
➤ PRODUCTION
written by Mina Le
edited by Charlee Reiff
➤ SOCIALS
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➤ CONTACT
Business email: [email protected]
➤ SOURCES
The Making of the Wizard of Oz: Movie Magic and Studio Power in the Prime of MGM by Aljean Harmetz (1998)
https://www.sensesofcinema.com/2009/feature-articles/notes-on-some-limits-of-technicolor-the-antonioni-case/
https://www.smithsonianmag.com/smithsonian-institution/without-camera-emerald-city-would-have-been-color-mud-180961463/
https://lwlies.com/articles/history-of-technicolor-natalie-and-herbert-kalmus/
The Road to Oz: The Evolution, Creation, and Legacy of a Motion Picture Masterpiece by Jay Scarfone & William Stillman (2019)
https://www.eastman.org/technicolor/decades/1935-1955
https://www.eastman.org/technicolor/decades/1955-1975
Technicolor Movies: The History of Dye-Transfer Printing by Richard W. Haines (1993)
https://www.vox.com/culture/22840526/colors-movies-tv-gray-digital-color-sludge
https://mubi.com/en/notebook/posts/the-ideas-behind-the-image-cinematographer-ed-lachman-discusses-the-velvet-underground
https://www.vulture.com/article/tv-shows-too-dark-cinematographer-advice.html
https://www.theglobeandmail.com/arts/film/article-wicked-director-jon-m-chu-hopes-new-adaptation-can-send-the-box-office/
https://variety.com/2024/film/news/wicked-defying-gravity-longer-two-movies-dorothy-part-2-1236214707/
https://www.vulture.com/2023/03/movie-theater-projector-amc-regal.html
https://www.ign.com/articles/2019/05/02/why-was-game-of-thrones-so-dark-compression-tv-calibration-fix-s8-e3-the-long-night-battle
https://www.vulture.com/2022/07/4k-tv-cgi-review.html#_ga=2.128273551.2006878802.1658142601-387411491.1651506616
https://www.youtube.com/watch?v=x4XEomJZV6I
0:00 – intro
5:14 – the wizard of oz
13:48 – the dullness of modern cinema
23:28 – screens are bad
32:26 – conclusion
